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Which, in fact, a white man named David Wilson did. Some anthropological asides are even more jarring; in one case, Northup refers to a slave rebel named Lew Cheney as "a shrewd, cunning negro, more clever than the generality of his race." That description would sound condescending and prejudiced if a white man wrote it. But that seeming accuracy requires artifice and fiction-a cool distance in one case, an acknowledgement of sexuality in one other. Yet, because the University of North Carolina professor William Andrews has mentioned in To inform a Free Story: The primary Century of Afro-American Autobiography, the representation of accuracy, and, for that matter, of first-person account, required a superb deal of artifice. Often printed by abolitionist presses or in express assist of the abolitionist trigger, slave narratives represented themselves as correct, first-person accounts of life under slavery. From this perspective, Django Unchained, which intentionally treats slavery as genre, or Octavia Butler’s Kindred, which acknowledges the role of the present in shaping the previous by means of a fantasy time-travel narrative, are more true than 12 Years a Slave or Glory exactly as a result of they don't make a declare to historic accuracy.
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